1 Notes

49 plays

Rock and a Hard Place

Andrew Furth

I see power, I see pain. I don’t even know its name. All I know is that these things will always be the same.

I see bloody civil war. I don’t even know what for. There’s all these folks in here and nobody can find the door.

Where’s the door?

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Molly

She’s a bad ass bitch with a cigarette
Tight jeans, an ink vignette
Pierce in her tongue, pray she die young
Make an old man cry cause she think it’s fun

Chased her style down under Tuesday lights
Soul day came and turned to night
She kicked my ass and I want more
Laughing when we hit - the floor
 
Look down a double barrel
Cut loose and keep up
Drink to bad news and making good love
Her hipster hips turn into mine, tonight
We’re chasing sun; run, run,run wild
Evil child
Evil child
 
Strike the midnight hour with an open hand
Read between lines in her fingers, man
She’s a friend of the devil may care
Not fair when she call up your number late

Create new endings and different chapters
Forever after you scarred
See stars and a woman
Make quiet plans to seal your fate and force your hand
 
Look down a double barrel
Cut loose and keep up
Drink to bad news and making good love
Her hipster hips turn into mine, tonight
We’re chasing sun; run, run,run wild
Evil child
Evil child

Notes

Farewell show Friday - thanks for everything.

Notes

100 plays

Alison (Elvis Costello)

Andrew Furth

Paying tribute to a true original - Elvis Costello.

Alison, my aim is true.

Notes

92 plays

Ali

Andrew Furth

Wrote this song about Muhammed Ali. The greatest, as well as the most ironic and inspirational story of all time. A fighter who refused to fight because of the strength of his belief.

Notes

Ali.

flutter like a butterfly. sting like a bumble. missiles from the blind side. and you stumble.

stand tall. talk truth. and follow me.

because the greatest only good, when your hands writing history.

his name was brother Ali and he talk fast, and his feet quicker than a thunderclap. and his beat poetry an Everlast blast to your face from a storied past. 

stand tall. talk truth. and follow me.

because the greatest only good, when your hands writing history.

awake a dream. some sight unseen. one fight, believe. the greatest story ever told been told before. the greatest story ever told is told no more.

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crush.

young people music to get stoned and discover love to. sex and happiness - drugs and invincibility. innocence. growth.

and you move past it.

into a world of plastic flowers, adult conversation, and proper etiquitte. words are minced, emotion faked, truth only as often as talk is straight.

and it moves past you.

as the weight of the 9-5 leaves its footprints all over your ambition. as your inhibitions overtake any sort of dream-filled vision of what you can offer tomorrow.

except for the lucky few.

we put them up on pedestals and record stores and bookshelves. revealing themselves at the perfect time.

a long lost friend.

a window to the discovery of someone else’s immortality.

power. authenticity. a rose. your first time. all that’s pure and real and makes you feel so much.

a crush.

die tomorrow, live today. say it your own way, with action and expression - not conflict and oppression.

lest you be crushed.

Notes

Recorded in my sophomore year dorm room haha. Still play this song every now and then.

Notes

1 Notes

30 plays

Torn Up Head (Four and Twenty)

Coldwater Mystic

figured today would be an appropriate time to post the audition tape i used to score the lead singer spot in my reggae band. it’s called “torn up head (four and twenty).”

happy holidays :).

coldwatermystic:

This is Andrew’s audition demo. He sent this to us while we were looking for Dan’s replacement. If anyone’s feeling the mid-week hangover, you know know what to do.

“Torn up head, but I fix it with my four and twenty.”

Happy holidays.